Sunday, December 12, 2010

The purpose of creativity

A general point of agreement amongst highly productive creative artists is that inspiration is for amateurs. To be disciplined, to be available for the next big thought requires a routine and a willingness to get down to work. Underneath that means that a certain amount of work is not going to lead to a new creative output.

What is the purpose of creativity? I know that I sustain higher energy levels when I am tapping in to my creative work stream or pool or whatever it is that gives me new thoughts or the desire to express something in a new format. I simply feel I'm a whole being when my creative thoughts come together into realized work. I also feel more successful when I have chances for collaboration.

Recently there has been a lot of writing about collaboration in the business press. For many years mercantile processes involved either highly hierarchical (read uncreative) productivity or downright poor labor conditions to produce commodity related products. Are we now in an era where new concepts and services might only be possible if collaboration in support of creativity and innovation is the way forward? I hope so.

I would like to think that a framework of process that supports artistic creativity. Think of it as scaffolding when working on the construction of a new form. New forms are the products of creativity. I have found that a framework I developed for being able to dance and later to sing (starting with learning) has worked also for learning and producing in less traditional creative environments. I believe this is born out if we look at highly productive artists who switch media (check out performers who produce wonderful drawings or paintings). How does productivity in the plastic arts produce fine chefs? Does craftmanship play a role?

Craftmanship is only a part of the creative process, but beginning with that basis can be freeing when proper constraints are in place. Knowing how to produce a fine work, as a craftsman, provides keys for when to continue burnishing a piece and when to let the work stand. This relates back to the big middle where constraints can provide wonderful opportunities for new outlets.